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The Aurora Files

by Various Artists

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Intro 00:18
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Interlude 00:23
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Outro 00:30

about

The Aurora Files is a carefully crafted LP by some of the scenes reputable artists. The Aurora Files is a very Arcane subject but a subject we believe to be true.

Aurora was a rumored mid-1980s American reconnaissance aircraft. There is no substantial evidence that it was ever built or flown and it has been termed a myth.

The U.S. government has consistently denied such an aircraft was ever built. Aviation and space reference site Aerospaceweb.org concluded, "The evidence supporting the Aurora is circumstantial or pure conjecture,

Former Skunk Works director Ben Rich confirmed that "Aurora" was simply a myth in Skunk Works (1994), a book detailing his days as the director. Rich wrote that a colonel working in the Pentagon arbitrarily assigned the name "Aurora" to the funding for the B-2 bomber design competition and somehow the name was leaked to the media.

In 2006, veteran black project watcher and aviation writer Bill Sweetman said, "Does Aurora exist? Years of pursuit have led me to believe that, yes, Aurora is most likely in active development, spurred on by recent advances that have allowed technology to catch up with the ambition that launched the program a generation ago.

By the late 1980s many aerospace industry observers believed that the U.S. had the technological capability to build a Mach 5 (hypersonic speed) replacement for the aging Lockheed SR-71 Blackbird. Detailed examinations of the U.S. defense budget claimed to have found money missing or channeled into black projects.[7] By the mid-1990s reports surfaced of sightings of unidentified aircraft flying over California and the United Kingdom involving odd-shaped contrails, sonic booms, and related phenomena that suggested the US had developed such an aircraft. Nothing ever linked any of these observations to any program or aircraft type, but the name Aurora was often tagged on these as a way of explaining the observations.

A crash at RAF Boscombe Down in Wiltshire on 26 September 1994 appeared closely linked to "black" missions, according to a report in AirForces Monthly. Further investigation was hampered by USAF aircraft flooding into the base. Special Air Service personnel arrived in plainclothes and an Agusta 109. The crash site was protected from view by fire engines and tarpaulins and the base was closed to all flights soon afterwards.

An unsubstantiated claim on the Horsted Keynes Village Web Site purports to show photos of the trail left after an unusual sonic boom was heard over the village in July 2002. In 2005 the information was used in a BBC report about the Aurora project.

A series of unusual sonic booms was detected in Southern California beginning in mid-to-late 1991 and recorded by United States Geological Survey sensors across Southern California used to pinpoint earthquake epicenters. The sonic booms were characteristic of a smaller vehicle, rather than of the 37-meter long Space Shuttle orbiter. Furthermore, neither the Shuttle nor NASA's single SR-71B was operating on the days the booms had been registered. In the article, "In Plane Sight?" which appeared in the Washington City Paper on 3 July 1992, one of the seismologists, Jim Mori, noted: "We can't tell anything about the vehicle. They seem stronger than other sonic booms that we record once in a while. They've all come on Thursday mornings about the same time, between 4 and 7.Former NASA sonic boom expert Dom Maglieri studied the 15-year-old sonic boom data from the California Institute of Technology and has deemed that the data showed "something at 90,000 ft (c. 27 km), Mach 4 to Mach 5.2". He also said the booms did not look like those from aircraft that had traveled through the atmosphere many miles away at Los Angeles International Airport, rather, they appeared to be booms from a high-altitude aircraft directly above the ground moving at high speeds. The boom signatures of the two different aircraft patterns are wildly different. There was nothing particular to tie these events to any aircraft, but they served to increase the number of stories about the Aurora.

On 23 March 1992, near Amarillo, Texas, Steven Douglass photographed the "donuts on a rope" contrail and linked this sighting to distinctive sounds. He described the engine noise as: "strange, loud pulsating roar... unique... a deep pulsating rumble that vibrated the house and made the windows shake... similar to rocket engine noise, but deeper, with evenly timed pulses." In addition to providing the first photographs of the distinctive contrail previously reported by many, the significance of this sighting was enhanced by Douglass' reports of intercepts of radio transmissions: "Air-to-air communications... were between an AWACS aircraft with the call sign "Dragnet 51" from Tinker AFB, Oklahoma, and two unknown aircraft using the call signs "Darkstar November" and "Darkstar Mike". Messages consisted of phonetically transmitted alphanumerics. It is not known whether this radio traffic had any association with the "pulser" that had just flown over Amarillo." ("Darkstar" is also a call sign of AWACS aircraft from a different squadron at Tinker AFB) A month later, radio enthusiasts in California monitoring Edwards AFB Radar (callsign "Joshua Control") heard early morning radio transmissions between Joshua and a high flying aircraft using the callsign "Gaspipe". "You're at 67,000 feet, 81 miles out" was heard, followed by "70 miles out now, 36,000 ft, above glideslope." As in the past, nothing linked these observations to any particular aircraft or program, but the attribution to the Aurora helped expand the legend.

In February 1994, a former resident of Rachel, Nevada, and Area 51 enthusiast, Chuck Clark, claimed to have filmed the Aurora taking off from the Groom Lake facility. In the David Darlington book Area 51: The Dreamland Chronicles,

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released March 4, 2022

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Odyssey Recordings West Midlands, UK

There is always cycles within drum & bass,there is noise, dark stuff, the atmospheric, jazz thing…One thing about this music is that you can fuse so many other styles into it. This is what we are about. Variety is the spice of life.
This inspiration has led to the formation of the label and where we are today. There is a buzz for great music and the passion we have is the driving force behind it.
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